END OF THE WORLD, SHOT ON A BUDGET
Low budget? Sure.
The Edge doesn't need CGI cities or bombastic fireballs.
Its weapon is atmosphere. Stillness. Decay framed with precision.
A dead tree. A broken highway. A crow screaming at the wrong moment.
That's all it takes to destroy you.
This is cinema for the cracked and the quiet. For anyone who's ever asked, What if I'm the thing not worth saving?
BOLD PRODUCTION
The script is done. The vision is locked.
We're looking for production companies with appetite for the unconventional, ones that understand low-budget doesn't mean low-ambition.
If that's you: get in touch.
The Edge is built for low budget. That's not a constraint. That's the method.
Frankie Doguet has spent the last several years building the infrastructure for this film's independence:
- Revcut.io — a film review tool built to streamline creative feedback.
- Skrean.co — a streaming platform built for The Edge, now open to other independent filmmakers.
- Johatsu, an apparel and print label.
Individual support also matters. Every euro goes to screen.
Your support goes toward:
- Crew and Cast: Paying the people who bleed for this story.
- Production Essentials: Meals, housing, and transportation.
- Visual Impact: Production design and equipment that serves the film's raw atmosphere.
- Getting It Seen: Festival submissions and promotional materials.
From €100, you choose the amount. Your name in the credits, no bumper before the films on Skrean, lifetime access to the film, early access to everything.
Contributions are handled through Skrean.co, where your perks are activated. You'll be redirected there to complete your support.
Stories that scar. Stories that survive.